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Everyone likes a sunset. There is no escaping
that fact and it is one of those type of subject matter that someone
with a camera, whether an amateur or professional, will want to
capture.
Just like sunrises, sunsets are a bit
unpredictable. They are very much dependant on the atmospheric
conditions and so glowing red skies can not be guarantee how a
sunset will develop.
As is the case with shooting sunrises,
preparation is all important and will help the
shoot run more
smoothly. Determining a decent location can easily make or break a
shot. It is always good to have some predetermined image in mind of
the kind of scene that is to be captured. It goes without saying
that an appreciation of the sun setting times is necessary and the
approximate direction in which the sun will set. Getting to the
location in good time is essential to success as the sun vanishes
below the horizon very promptly.
A digital SLR is not essential for sunset
photography as a compact digital camera is just as capable depending
on what you are trying to achieve. It is however important for the
compact camera to either provide manual exposure adjustment or
exposure compensation. The ability to adjust the method of metering
may also be handy.
The tripod is an essential piece of kit as
light levels will be decreasing. To keep yourself mobile and able to
travel light a light weight travel series model is handy (but
they
can be expensive). Compact cameras only require a light weight
tripod but the tripod has to be sturdy.
For the DSLR user this may be an instance
where using live view may be more preferable to using to optical
viewfinder. With the camera on a tripod it should be easier to view
the image on the LCD screen along with the exposure information.
Image stabilisation whether it is in the camera body or on the lens
should be switched off.
The camera's white balance should be set to
'Daylight' rather than auto in order to ensure that the colours are
registered correctly. With auto white balance there is the chance
the camera will try and remove what it sees as excessive colour bias
or cast.
Depending on the content of the sunset scene
and the results envisioned, the aperture needs to be adjusted
accordingly. However, if everything within the scene is a
significant distance from the camera then the aperture set may not
be critical. If this is the case the aperture can be set to give
optimal sharpness from the lens. This may be in the region of f/8 to
f/11 for 35mm or APS-C cameras and perhaps no more than f/5.6 for
compact cameras using small imaging sensors. The reason for this is
that with the small sensors and even smaller pixels diffuse comes
into effect earlier as an aperture is closed down resulting in a
softening of the image. The shutter speed will be set accordingly.
Aperture priority may be the operating mode of
choice with exposure compensation applied when necessary.
Alternatively, manual exposure mode can be chosen with the aperture
set for optimum sharpness and the shutter speed adjusted to give the
required exposure.
Be prepared for disappointment! If one
evening there is a great sunset don't to be replicated the following
day. There is probably a science to determining the likelihood of a
great sunset based on an understanding of atmospheric conditions but
I must confess my ignorance of it. EA.
There are a number of ways to shoot a sunset
but it mainly comes down to whether you shoot it directly and or
not.
Shooting Directly
Be prepared for a certain amount of waiting around before the actual
shoot. This time can be spent finalizing preparations. Once the sun
starts to set (say from about 5 degrees above the horizon) this is
perhaps only about 15 minutes before the sky is completely dark.
Shooting the setting sun directly may
initially seem exciting but it could lead to some dull and
uninspiring photos. A clear sky devoid of clouds may look great when
the sun is high in the sky but it can lead to uninteresting shots.
It all depends on what else is in the scene and how much of the
scene is taken up with the sky. A silhouetted mountain arrange or
cityscape can add interest to scene and provide a context.
Cloud formations are what can add drama to a
scene. Their usual gray look becomes
transformed with gradations of
shades of oranges and reds. Clouds appearing near to the horizon can
look rather opaque resulting in some of the sunlight being obscured.
The top edges of the clouds may pickup some light which can strongly
contrast with what is an almost silhouetted formation. Depending on
the position of the sun the sky will take various shades with the
warmest shades closest to the sun and those furthest away coolest
and resembling blue.
There are times when just about everything is
bathed in dramatically striking orangey red light.
"This is not the kind of sunset I have ever
seen in London or other parts of the UK but have seen in countries
like Thailand."
Shooting Indirectly
With this way of shooting the impression of the sunset is perhaps
less obvious and therefore not the main aspect of the scene. There
are various ways to represent the scene and that is all down to your
own requirements. It is down to the photographer to decide how
obviously the scene will infer that a sunset is taking place. The
effect of the sunset just may be used to add atmosphere.
It is whether noting when taking photos under
conditions when the light cast by the sun is very strong that care
must be taking to avoid clipping of the colours. This can easily be
checked for on most (if not all) modern DSLR by viewing the RGB
histogram.
At the stage the sun is under the horizon all
is not over. There is a bit more light display to come before the
dark skies take over. It's a time to do some good night photography
as this often works best when there is still some colour in the sky.
Even if shooting in RAW mode it is worth
bracketing exposures to ensure that the best image is captured. Get
the best possible image possible in camera so that less work will be
required in post processing.
Just about all that has been described can be
photographed with many compact cameras. Camera phones can also
capture respectable looking photos but they have great limitations
with lower dynamic range and no optical magnification. Many provide
some control over white balance, exposure compensation, and can
force focus to infinity.
At the end of the day it is all about
capturing a moment in time that will do justice to what you have
seen and perhaps evoke good memories in those who later view it.






















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