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One
of the major benefits of the DSLR format is the ability to change
lenses to suit the environment or subject matter to be tackled.
There are occasions when it is more preferrable to just have one
lens to tackle a range of subjects or just wanting to travel with
the minimal amount of equipment. The Sony 18-250mm 3.5-6.3 DT lens
has been designed with this purpose in mind. Its focal range is
sufficient to capture wide landscapes through to zooming into
distant subjects to pick out the details. The superzoom has become
increasingly popular and 14x optical zoom maybe all some
photographers will ever need.
The
DT 18-250mm f/3.5-6.3 lens has the following features:
- 14x zoom with an effective range of
27-375mm
- Lens optimised for APC-S image sensors
- Light and compact body
- Lens lock
The lens is an all plastic build apart from
the lens mount. The zoom ring occupies almost half the length of the
lens with the focus ring being placed at the front of the lens and
having half the wide of the zoom ring.
To protect against zoom creep the lens has a
lock. The lens is essentially a rebadged revision of the Tamron
18-250mm but with upgraded AF mechnanics for faster focusing and
Sony optics.
There is no image stabilisation
built into the lens. As with all Sony lenses (and prior Konica
Minolta) the image stabilisation is provided by the systems build
into the Sony camera bodies. This method does not always make the
lens cheaper or smaller than similar lenses with built-in
stabilisation but it does mean that any compatible lens attached to
an Alpha camera body will automatically benefit from the cameras
image stabilisation feature. As always when needs be the tripod can
always be resorted to.
The DT 18-250mm lens does not have in body AF
system like SSM or SAM technology and so is reliant on the in body
motor of the DSLR it is attached to for the autofocusing.
Autofocusing is generally smooth across its range. The focus ring
does not rotate during autofocusing.
The
lens proved to be a bit noisy during autofocusing due to the
mechanism in the lens. Focusing speed was dependant on the DSLR body
used. It was responsive on the a700 but felt a bit slow at times on
the a100. During manual focus the focus ring felt well damped but
did not feel smooth in its action but it did its job.
The zoom ring with its wide width was easy to
grip. The zoom worked very smoothly and there was no sign of zoom
creep at either extremes of the zoom range.
The lens aperture value increases with the focal
length as follows:
-
18mm (27mm) : f/3.5
-
24mm (36mm) : f/4
-
35mm (53mm) : f/4.5
-
55mm (83mm) : f/5
-
75mm (113mm) : f/5.6
-
150mm (225mm) : f/6.3
As can be seen, whilst zooming
the lens with the aperture fully open f/6.3 is reached well before
250mm. This can impact on the performance of AF as the phase (or
contrast) detection systems have less light to work with.
The 18-250mm DT lens performed
well in terms of sharpness. Results were generally sharp up to
around 200mm after which there was obvious softening of images. Some
improvement could be made by stopping down the aperture although
there are limitations regarding how much this can be done due to the
effects of diffaction.
Chromatic Aberration was present
at the edges of images and seemed especially apparent at the
telephoto end.
The Plus Points
-
Sharp results up to
around 200mm
-
Good level of contrast
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No significant issues
with flare
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Reasonably fast focus
-
Zoom lock (although not
found necessary)
-
Build quality
The Negative Points
-
Barrel distortion at the
wide end
-
Manual focus not so
smooth
-
Drop in sharpness
towards extreme telephoto
It is very hard to critise this
lens. The results were very pleasing as the lens performed extremely
well for a lens of this design. Usually a number of compromises
limit any possibility of serious use of a superzoom lens. The Sony
18-250mm is a definite advancement on what has gone before. The
extreme telephoto end is the weakest aspect of the lens and the
relatively slow optical speed of f/6.3 but it is most likely this
focal length will not be used all the time. It happily fits the bill
as a general purpose lens or as a travel photography lens where
travelling light is a necessity. EA
|
Focal Length |
18-250mm (27-375mm equiv. in
35mm format) |
|
Maximum Aperture |
f/3.5-6.3 |
|
Minimum Aperture |
f/22-40 |
|
Lens Construction |
16 elements in 13 groups |
|
Picture Angle |
6.23-75.33 |
|
Closest Focus Distance |
0.45m |
|
Maximum Reproduction Ratio |
1:3.5 |
|
No. of Diaphragm Blades |
7 (circular) |
|
Filter Size |
62mm |
|
Dimensions |
Approx. 75 x 86mm |
|
Weight |
Approx. 440g |















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