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Olympus are wasting no time in expanding their
PEN series of cameras. The E-PL1 follows on hot on the heals of the
E-P2 but aimed at a different Market segment. The was as the E-P1/2
are aimed at the more serious photographer the E-PL2 has been
designed to appeal have more appeal to the novice whilst maintaining
a number of
features derived from it's bigger brother. Build quality seems to be
in keeping with the earlier models. The E-PL1 come in 4 colours:
Silver, Red, Black and
It has a 12 megapixel image sensor using
Olympus's latest image processing engine, TruePic V. Like the other
PEN cameras there has been provision made to shoot in other than the
standard 4:3 aspect ratios (3:2, 16:9 and 6:6). HD movie recording
is in 16:9 and SD in 4:3.
The Olympus PEN E-PL1 comes
packed with features to keep the serious photography satisfied with
low complexity for the novice. The key features are as follows:
-
12 megapixel TruePic V image
sensor
-
HD Movie Recording (1280x720
at 30fps)
-
HDMI connection
-
Dedicated movie record button
-
Built in flash with wireless
flash control
-
3fps continuous shooting
-
In body image stabiliser
-
Dust reduction filter (SSWF)
-
iAuto for easy camera control
-
Art Filters
-
Real time effects monitoring
The E-PL1 has many of the
features found on the E-P1 but there are some omissions and this
shall be discussed in the full review.
The Olympus E-PL1 powers up very quickly and
ready for action in minimal time. The attached 14-42mm lens
(equivalent to 28-84mm lens in the 35mm format) if locked (in its
most compact form) will matters as the camera will display a message
on it's 2.7" LCD screen to remind the user to unlock the lens. The
top plate of the camera as well as featuring the power on/off button
as has the shutter release, exposure mode dial and the external
flashgun mount which also is employed to hold an external viewfinder
or microphone. The back of the E-PL1 has controls for image
playback, menu, display information, and file deletion. Another
cluster of controls provide exposure compensation, AF selection,
flash mode selection and drive/timer delay.
For the purpose of the press event shooting
with the camera was restricted to using the iAuto mode. The iAuto
has been revamped with the inclusion of Live Guide to promote
simplified exposure controls in this mode. Usually such auto modes
are designed to limit user input but Olympus has provided a number
of overrides for adjustment of depth of field, shutter speed, colour
saturation, colour balance and brightness that does not require any
prior technical knowledge. Both what Olympus term Blur Background
(aperture adjustment) and Express Motions (shutter speed adjustment)
show none of the usual f-stop or shutter speed parameters as the
whole process has been simplified down to a single scroll bar
represented on the right of the screen. Adjustments are made with
the up or down buttons. It's a matter of just pressing the OK
button, choosing the feature required and pressing up or down for
example towards blur or sharp.
It seems that the E-PL1 prevents the user from
having to worry about undesirable side effects like, low shutter
speeds or not enough light with the automatic use of the in body
image stabiliser and auto adjustment of the ISO sensitivity. This is
commendable as the novice user may not be plagued by shaky or under
exposed shots.
It most be noted that the Live Guide method
employed does not make it easy to replicate results at a later date
as there are no parameters to go by and memorise. In terms of the
blur control it would of been nice if at either end of the scroll
bar an indication was provided based on information derived
direction from lens focal length information and subject distance.
With this kind of information the E-PL1 can better represent the
amount of blur or sharpness that can be applied based on the lens
settings. A novice user may apply blur and get very little effect
not realising that the subject is too far away or the focal length
is just too wide.
The iAuto mode sets the wide AF area
(consisting of 25 points) with face detection active. The auto focus
seemed to be quick at acquiring focus lock (with the attached
14-42mm lens) and the face detection gave a competent performance
with what seem to be minimal false indications. For best AF
performance it was better to have a single AF point selected as wide
AF area can result in focus on the wrong point or some indecision.
This issue is in keeping with other cameras using wide focusing
areas. With the market segment this camera is aimed at it is quite
possible that the user will mainly use the camera for taking people
photos and as such the face detection AF will make easy. Manual
focus selection was limited to 11 AF points and navigating the
points was fast.
The E-PL1 movie mode was swift to activate due
to the dedicated record button. A single press starts recording and
another press ends it. Timing information is shown on the LCD
screen. Movies replay smoothly and the sound is monaural but there
is provision to attach an external microphone. The movies are
recording in the AVI format.
The Art Filters have become standard on
Olympus cameras (for the E-PL1: Pop Art, Soft Focus, Grainy Film,
Pin Hole, Diorama, and Gentle Sepia) and they can be applied in the
movie mode as well as for standard photos. They can add that extra
bit of artistic look to an photo without recourse to a computer.
A key feature missing (or at least not
included) on the two earlier PEN cameras) was the lack of built in
flash. The E-PL1 has a flash unit hidden in it's body which was
raised once a switch on the back of the camera was released. For the
more advanced user or those that like to be experiment the flash
comes with the added benefit of being about
to act as a wireless controller for Olympus's FL50R and FL36R flash
units. This is a great bonus over the E-P1/2.
The Olympus E-PL1 was only made available for
a short time to enable this pre-review to be written. Look out for
the full view on full review as soon as we have the E-PL1 in. If the
E-P2 can be considered the serious PEN then the E-PL1 has more
emphasis on fun.
The camera felt solid and comfortable in the
hand with the 14-42mm lens attached. This lens compacts down when
not in use but has to be unlocked when powering up the camera. The
camera will display a message to remind the user of this when it is
powered up and the lens detected as locked.
There are digital compacts designed to behave
like DSLRs and DSLRs trying to be as portable as digital compacts.
The E-PL1 seems to fit in the middle ground offering DSLR image
quality with almost digital compact portability. It's too big for a
shirt pocket but should prove no problem for a coat pocket or small
bag. It is essentially light weight (at 300g body only and 150g for
the 14-42mm lens) without being a 'light weight' making it
comfortable to carry around all day. It was felt the 14-42mm lens
provided decent colour rendition with acceptable level of sharpness
although for the demanding photographer some post-processing will
help to further improve matters. It will be nice to see Olympus
introducing higher quality optics for the PEN cameras to ensure the
very best quality is got out of the image sensor.
The E-PL1 is available with the 14-42mm lens
at £549.99, and with both the 14-42mm and
40-150mm lenses at £699.99.
The Olympus PEN E-PL1 shall be reviewed in
full so look out for it at RWI.
All photos here
shot using the iAuto mode with use of the Art Filters when required.

Feeding the mind with photography

The Easy Riders

Filtered for art and looking grainy

For protection or defence,
you choose.

Keeping an eye on the alley

The past brought into focus

Structured for diorama art

Following the Guide

The boundary blurs the architecture

An eye for perfection

Three ways to influence time

In the Bell for a drink and a seat

A time for contemplation through a pin hole

A artistic study of time in motion

The Return of the Easy Riders

Fine Art or just fun with a soft touch

The Easy Riders in the search for the perfect
pixel
Olympus PEN E-P1
Review
Olympus PEN E-P2
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