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Press Release - Wednesday, 7 April 2010
Redefining professional handheld video: Canon
launches first MPEG-2 Full HD (4:2:2) file-based camcorders
United Kingdom, Republic of Ireland, 7th April 2010 –
Canon today redefines the professional handheld video camera market with the
launch of the XF305 and XF300 – two revolutionary, file-based video cameras
that are the first models to use the new MPEG-2 Full HD (4:2:2) recording
codec recently adopted by Canon.
Designed to offer exceptional image quality and
seamless workflow compatibility for a wide range of professional uses, the
new XF models feature technology unrivalled in their class.
An outstanding, all-new camera system comprises a
Canon L-series HD Video Lens, 3CMOS sensor system and highly advanced DIGIC
DV III processing. MPEG-2, Full HD video is recorded as industry-standard
MXF (Material eXchange Format) files to Compact Flash memory cards, using
data transfer rates of up to 50Mbps and rich 4:2:2 colour sampling,
capturing more colour information for post production.
XF305 and XF300 combine excellent imaging systems with
a design that delivers advanced mobility and versatility. The broad feature
set and adaptability of these models will allow users to shoot in almost any
situation and for any given purpose, from independent filmmaking to
commercial broadcast.
Market leading performance
XF305 and XF300 have been designed to provide
outstanding image quality. For the first time ever in a handheld
professional video camera, the new models utilise the MPEG-2 Full HD
recording codec with 4:2:2 colour sampling at up to 50Mbps, capturing
broadcast-quality footage in stunning detail.
In order to take full advantage of this advanced
codec, which offers twice the colour resolution of HDV and other 4:2:0
recording formats, Canon has developed a new HD video system combining its
renowned DIGIC DV III processing power with an advanced sensor system and
specially developed 18x Canon L-series lens, manufactured to meet stringent
broadcast standards. The 1/3 type Canon 3CMOS sensor system offers
exceptional colour accuracy, wide dynamic range and low noise. High-speed
data readout technology developed by Canon also minimises rolling-shutter
skew that can occur in other CMOS camcorders.
Seamless workflow integration
Both new XF models record industry standard MXF files,
an open-source file format compatible with major file-based workflow systems
used by professionals today. At the time of launch, XF camcorders are fully
compatible with major editing and processing software packages from Adobe
Systems Incorporated, Apple Inc., Avid Technology Inc. and Grass Valley,
ensuring videographers can immediately integrate XF305 and XF300 into their
workflow.
Video shot on the new XF camcorders will be written
directly to a Compact Flash (CF) card in one of the two available slots.
While recording, the card not in use can be exchanged to ensure hours of
uninterrupted video capture. Both models also support relay recording,
allowing capture to seamlessly continue on a second card as soon as the
first becomes full.
For easy viewing and management of clips on the move,
both models are supplied with Canon’s XF Utility software for PC and Mac,
which enables users to back-up clips, edit metadata stored in the MXF files,
preview clips and write them back to a CF card.
Canon optical excellence – high quality, L-series
lens
Canon lenses are already favoured by the majority of
broadcasters, providing outstanding resolution, contrast and low chromatic
aberration. The new XF305 and XF300 feature an L-series HD Video Lens,
combining a 29.3mm wide-angle with fast maximum aperture (F1.6) and a
versatile 18x zoom – providing stunning performance from the wide to the
tele ends of the zoom.
The zoom and focus rings have physical end stops when
used in manual mode, for fast and repeatable operation. An independent iris
ring allows control of aperture, while two rocker controls are available for
manual control of zoom. Canon’s unique Instant AF system also provides fast
and accurate auto focus.
Previously only available in Canon broadcast TV
lenses, high index, ultra-low dispersion (Hi-UD) glass is placed at the
front of the lens path in order to suppress chromatic aberration. Hi-UD
combines with ultra-low dispersion (UD), ultra-high refractive index
aspherical (UA) and two double-sided aspherical elements, providing sharp,
detailed images, free from chromatic aberration.
Engineered using the highest quality Canon optical
components, the lens has been designed to perfectly complement Canon’s 3CMOS
sensor system, capturing up to 1,000 lines of horizontal resolution. A new
image stabilizer (IS) system offers three modes of stabilisation - Standard,
Dynamic and Powered - providing impressive camera shake correction.
Easy operation, effective performance, enhanced
durability
XF305 and XF300 also feature a 1.55 million dot EVF
with 100% coverage and a unique, front-mounted, high-resolution LCD system
that can be easily switched from left to right to suit any individual and
shooting situation. The largest LCD in its class at 10.1cm (4”), with a 1.23
million dot resolution, the screen offers unparalleled clarity and
flexibility for High Definition shooting.
The new XF models feature completely revised
ergonomics, incorporating feedback from professional users. An enhanced
control layout provides intuitive operation and the centrally positioned
grip achieves optimum balance. These design enhancements combine to ensure
that individual XF operators can film comfortably, over prolonged periods of
time and in varying conditions.
Extensive customisation
Both XF models feature a wide range of user
customisation options, providing unmatched versatility and flexibility.
Users can configure up to 26 Custom Picture parameters, controlling more
than 50 individual, image-related variables. XF operators can also assign
one of 30 individual functions to each of 13 customisable buttons, allowing
them to optimise the camcorder for their personal shooting preferences,
environmental or stylistic considerations.
A variety of industry standard gamma curves can be
selected, offering videographers the ability to choose the exact style to
suit their intended use. For example, footage can be optimised for a
specific customer or for transfer to film.
Up to nine ‘customised pictures’ can be stored to each
body, including three protected settings supplied as standard - VIDEO.C,
CINE.V and CINE.F. Preferred settings can be saved and transferred from one
camcorder to another via SDHC cards – particularly useful for maintaining a
creative style across camcorder bodies or for organisations that may want to
ensure uniform set-up across multiple camcorder units.
Slow and fast motion video recording also expands
creative possibilities. Fast motion shooting allows videographers to speed
up recorded action by capturing fewer frames per second. Slow motion
recording captures more frames per second, enabling users to slow footage
down during playback at the normal frame rate. Videographers have a total of
20 speeds to choose from, providing an advanced selection of options to
capture a range of visual effects.
Advanced audio and connectivity
Both models record 16-bit linear PCM audio at 48kHz,
providing the high quality audio signal required for professional or
broadcast content. An integrated microphone records stereo sound, with the
option of connecting external microphones or other sources via two in-built
XLR terminals.
For enhanced integration in the studio or multi-camera
shoots, the XF305 also features an HD-SDI output, GENLOCK input and Timecode
input/output.
Canon Professional Services
XF305/XF300 owners qualify for membership of Canon
Professional Services (CPS) Video. The CPS Video service offers professional
users of Canon products exclusive, free access to a range of benefits, such
as a priority repair service and direct support from Canon Professional
Representatives across Europe.
Availability
The XF305 and XF300 will be available in the UK and
Ireland from June 2010.
XF300






XF305






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